Media Contact: (not for publication)
Nancy Netzer, Director
netzer@bc.edu; 617.552.8587
Public Contact:
617.552.8100; artmusm@bc.edu
www.bc.edu/artmuseum

THE McMULLEN MUSEUM OF ART AT BOSTON COLLEGE PRESENTS STATES OF BECOMING: Exhibition Explores Forces of Relocation and Assimilation through Works of Seventeen African Diasporic Artists 

New England Debut: September 9–December 8, 2024

CHESTNUT HILL, MA (August 2024) — The McMullen Museum of Art at Boston College will present States of Becoming, an exhibition curated by Fitsum Shebeshe and produced by Independent Curators International (ICI). It examines the dynamic forces of relocation, resettling, and assimilation that shape the artistic practices of a group of seventeen contemporary African artists, and informs the discourse on identity construction within the African diaspora. The artists, who either relocated to the United States or are first-generation born, have lived and worked here within the last three decades.

The traveling exhibition will be on view from September 9 to December 8, 2024. The McMullen is the first New England venue to host States of Becoming, which presents twenty-eight works across mediums including painting, photography, sculpture, installation, and video, which express the different ways in which identity is remade and reimagined. 

It features works by notable artists Chukwudumebi Gabriel Amadi-Emina, Kearra Amaya Gopee, Kibrom Araya, Nadia Ayari, Vamba Bility, Elshafei Dafalla, Masimba Hwati, Chido Johnson, Miatta Kawinzi, Dora King, Helina Metaferia, Nontsikelelo Mutiti, Yvonne Osei, Kern Samuel, Amare Selfu, Tariku Shiferaw, and Yacine Tilala Fall. 

The artists relocated from twelve countries in Africa and one in the Caribbean—Ethiopia, Ghana, Ivory Coast, Kenya, Liberia, Mauritania, Nigeria, Senegal, Sierra Leone, Sudan, Trinidad and Tobago, Tunisia, and Zimbabwe—with roots in cities across the US, including Detroit, Los Angeles, New Haven, New York, and Washington, DC.

[Media Note: A selection of press images and captions is available here. Please email Kate Shugert with questions. ICI press contact: Taylor Black, 212.254.8200.]

“The McMullen Museum and Boston College’s African and African Diaspora Studies Program [AADS] are pleased to present the recent work of seventeen outstanding artists, all of whom have been members of the African diaspora in the United States,” said Nancy Netzer, Inaugural Robert L. and Judith T. Winston Director of the McMullen Museum of Art, and a BC professor of art history. 

“Although practicing in a wide variety of mediums, these artists are united in the important questions their works probe about the role of relocation in reimagining hybrid identities and a sense of belonging. Such questions are fundamental to the liberal arts education at Boston College and, especially, to the pedagogy and research of our faculty in African and African Diaspora Studies. We look forward to engaging the community in productive dialogue sparked by these inspired works of art.”

The exhibition is arranged in three groups: artists whose relocation prompted aesthetic transformations by incorporating hybrid elements into their work; artists who share their experiences from their country of origin within their current communities; and artists who build bridges connecting the African diaspora to the United States in their practice. States of Becoming aims to contribute to conversations on identity construction in the face of relocation and resettling, exemplifying how diaspora artists navigate the interplay between ancestral African heritages and prevailing American cultural paradigms.

“The African and African Diaspora Studies Program was particularly drawn to the way the exhibition showcases core elements of our program,” said BC professor of history and AADS director Lorelle Semley. “Like our courses, these works reveal the global nature of the African diaspora. The tension between transformation and belonging emerges because the African diaspora is ‘everywhere’ yet often erased,” she added.

“The artists approach this phenomenon by engaging across multiple subjects including history, sociology, politics, visual and performing arts, literature, etc. Similarly, African diaspora studies puts different disciplines into dialogue, often through the creative use of materials and methods. We certainly hope that students make those deeper connections between African diaspora studies courses and the themes of the exhibition. However, we think it is more important for our students and the broader BC community to take the time to experience this artwork, with their hearts and their minds.”

States of Becoming

“States of Becoming was born out of my own process of relocating to the United States,” said Fitsum Shebeshe, who moved from Addis Ababa, Ethiopia, to Baltimore, Maryland, in 2016. “This exhibition allows for further understanding of not only my own experiences, but those of the artists. By analyzing both the unique aspects and commonalities together with Boston College’s global and local communities, we can reimagine together how we think about how identity is continually shaped and reshaped.” 

According to Shebeshe, through relocation he gained firsthand knowledge of the weight of cultural assimilation and encountered a range of existential questions that shaped his relationship to institutions and culture. He also realized he was viewed as belonging to a minority and developed a newfound awareness of the profound impact Ethiopia’s traditional and conservative culture had on his sense of individuality.

He found kinship among cultural practitioners from the African diaspora who shared his experience, and united these artists in States of Becoming. Although their individual artistic methodologies and experiences vary, each seeks to reconceptualize a hybrid culture formed from real and imagined genealogies: cultural, racial, national, and geographical belonging. States of Becoming explores the artists’ process of identifying, redefining, and becoming themselves in both local and global contexts, opening up perspectives into multiple states both geographic and emotional in a constant flux of social and cultural adaptations. 

“In States of Becoming, curator Fitsum Shebeshe contributes a significant and personal view of contemporary art of the African diaspora, and reasserts the importance of a curator’s lived experience in exhibition-making,” said Renaud Proch, ICI’s Executive & Artistic Director. 

States of Becoming is produced by Independent Curators International (ICI), New York. Lead funding is provided by the Hartfield Foundation to support ICI’s commitment to new curatorial voices that will shape the future of the field and ICI’s Curatorial Intensive Alumni as they move through their careers. States of Becoming is made possible with the generous support of ICI’s Board of Trustees and International Forum. Crozier Fine Arts is the Preferred Art Logistics Partner. 

The McMullen Museum presentation has been organized in collaboration with faculty from Boston College’s African and African Diaspora Studies Program. Additional funding has been provided by Boston College, the Patrons of the McMullen Museum, and Robert ’63 and Ann Marie Reardon P’91.

On tour through 2027, States of Becoming was on view at the Africa Center, New York; the Center for Art Design and Visual Culture, University of Maryland, Baltimore County; and the Des Moines Art Center. It will travel to the Knoxville Museum of Art in January 2025.

                  

Curator

Fitsum Shebeshe is a curator and painter based in Baltimore and Washington, DC. He holds an MFA in curatorial practice from the Maryland Institute College of Art. Before moving to the US, he was assistant curator at the National Museum of Ethiopia, where he co-founded the 1957 Initiative to annually celebrate the liberation of African countries from colonialism and curated the 1957 Art Show on the occasion of the fiftieth anniversary of the African Union in 2013. At the Baltimore School for the Arts, he curated Depart Africa in 2017. 

ICI

Independent Curators International (ICI) supports the work of curators to help create stronger art communities through experimentation, collaboration and international engagement. Curators are arts community leaders and organizers who champion artistic practice, build essential infrastructures and institutions, and generate public engagement with art. Its collaborative programs connect curators across generations and across social, political and cultural borders. They form an international framework for sharing knowledge and resources—promoting cultural exchange, access to art, and public awareness for the curator’s role. 

McMullen Museum of Art

The McMullen Museum aims to cultivate learning, celebrate artistic excellence, explore the visual traditions of diverse cultures, and inspire transdisciplinary faculty and student research based on the visual arts. The McMullen offers exhibition-related programs and resources for diverse audiences of all ages on campus, in the Greater Boston area, and beyond.

The Museum mounts exhibitions of international scholarly importance from all periods and cultures of the history of art. In keeping with the University’s central teaching mission, exhibitions are accompanied by academic catalogues and related public programs. The McMullen Museum of Art was named in 1996 for the late BC benefactor, trustee, and art collector John J. McMullen and his wife Jacqueline McMullen. In 2005, the McMullen Family Foundation provided a lead gift to renovate and build an addition to the Museum’s new venue at 2101 Commonwealth Avenue. Designed in 1927 in the Roman Renaissance Revival style by architects Maginnis and Walsh, it originally served as the home of Boston’s cardinal archbishops. The renovation was completed in spring 2016 and opened to the public on September 12, 2016.

Accompanying Free, Public Events 

In-person and virtual public programming is planned for the general public and museum Members. For more information, and to sign up for those events that require advance registration, please visit the McMullen Museum Events Calendar. More events will be added leading up to this exhibition; visit the McMullen website and subscribe to the McMullen mailing list for updates.

• In-person docent tours of the Carolyn A. and Peter S. Lynch Collection begin Sunday, September 15 (every Sunday, 3–4 p.m.)

• In-person docent tours of States of Becoming begin Sunday, September 22 (every Sunday, 2–3 p.m.)

• Virtual docent tours: Monday, October 21, 5:30 p.m.; Saturday, November 2, 10 a.m.; Wednesday, November 13, noon; Tuesday, December 3, 5:30 p.m.

• Holiday Celebration, Sunday, December 1 (noon–4 p.m.)

A forthcoming series of in-person and virtual events includes: Publication Highlights by BC and guest scholars, Into the Collection presentations on rarely seen works from the McMullen’s permanent collection, Members’ Crash Courses on art historical movements, and Museum Current lectures with museum leaders and researchers.

Additional Digital Resources

Visit McMullen From Home for recordings of all lectures as well as an archive of virtual walkthroughs, digital exhibition catalogues, podcasts, interactive spotlights, and more. View and search the McMullen’s permanent collection database.

McMullen Museum Hours and Tours

Admission is free; wheelchair accessible. Located at 2101 Commonwealth Avenue, Boston, MA 02135, on BC’s 65-acre Brighton Campus. Hours during this exhibition: Monday–Friday, 10 a.m. to 5 p.m., Saturday–Sunday, noon to 5 p.m.; the Museum will be closed: October 14 and November 28–29, 2024. Contact: artmuseum@bc.edu, 617.552.8587. All events are free. For directions, parking, and program information, visit mcmullenmuseum.bc.edu.